Mythological semiotics of Iranian carpet motifs
Dahram fish design (Herati)
The foundation of the Herati plan in the Mehr ritual (Mitraism) have found.
In Ayain Mehr, Mitereh / Mitra was born in the water, that's why in the works of this ritual, the seal is depicted as a child on a lotus and two fish or two dolphins take the seal out of the water.!!!
The basis of the design of Herati and a type of fish are two fish and a flower (Usually eight feathers) It is among it . It is obvious that in the Islamic period, fish have become similar to leaves, because in the Islamic period, they have lost their real role on carpets and the like..
Gul Shah Abbasi's role (an error)
The beauty of the lotus flower, its rising from the water and the opening of the flower when the sun rises are among the features that make this flower stand out in the mythology of Iran and India. .
which is also seen in the role of Lotus.
Sun symbol ( Being round and 8 full)
Symbol of Anahita
Buddha's place
…
The motif of Shah Abbasi's flower is derived from this flower.
The role of Bete Jakeh
The role of the root in the role of flame, cedar, bergamot fruit, etc … has it. All of which refer to the mythology of Iran and India.
The types of forest, hunting and garden designs in the carpets refer to the Garden of Eden and the ancient oriental worldview and attitude, which had a universal and exemplary view.!!!
The source of the subject of myth in carpet motifs
Bahareh Karimi's collection of mythological studies
Book: Symbols and semiotics in Iranian carpets
the writer: Mohammad Afrough